Artist’s Note

Each place changes the way I see.

In every city, I become a different version of myself — one who listens, observes, absorbs. What begins as travel becomes translation: a practice of noticing how people move, how light falls, how history hums beneath the present moment.

These works are not travelogues, but studies in perception — an attempt to understand the dialogue between place and self. In New York, I traced human choreography and the order within chaos. In Moab, I found evidence of our oldest gestures carved into stone. Florence made me confront the gaze — how we see and how we’re seen. And in Paris, beauty became a mirror for memory and transcendence.

Together, these pieces form a map of consciousness — a record of how the external world reveals the internal one.